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Lord Abergavenny's Hills

by Darren Black

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    Comes in gatefold card case with lyric booklet and accompanying description of what inspired each track. Artwork and design by Darren Black.

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Empty Halls Can Feel Like Crowded Rooms, Playing With The Truth, WISPERAU, Lord Abergavenny's Hills, Rise Above the Mumblings, Thinkers & Fools, and Silent Poetry. , and , .

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1.
2.
The Head Man 03:16
No-one sees what the head man sees, the head man sees what nobody sees Whether you're sick, down at heel, he'll do all that he can for thee For the head man sees, the head man sees ahead for you and me No-one knows what the head man knows, the head man knows what nobody knows A big old house made of stone, fit for an Iron Master's home For the head man knows, the head man knows all there is to know He's there for to offer the gift of the cloth And the name of his workers - this he knows and treats them with respect No-one hears what the head man hears, the head man hears what nobody hears Swing the lead or swig the beer, he'll find out and and he'll kick your rear For the head man hears, the head man hears all there is to hear He's there for the learning, at tuppence a time Where wives teach the children - schools at Little Quick and Bunker's Hill He’s there for the healing, and care for the old Insane or the bleeding - charity, infirmaries for all No-one sees what the head man sees, the head man sees what nobody sees Whether you're sick, down at heel, he'll do all that he can for thee
3.
Pig Iron 03:14
Seventeen eighty nine Another world, another time Forty thousand pounds Just to get it of the ground And three hundred men A hundred to a furnace, three of them Led by Thomas Hill Hopkins, Pratt in Witley, with Nevill There is a sense of the wealth Influence and gravitas that came With turning around this backwater town And making your name And the name of the game: pig iron Heaps of ore and coal Signs of land relieved of its soul Napoleonic wars, US Independence made it soar So demand was high Iron for the armaments to fight Other people’s wars Did they care what they were fighting for There is a sense of the wealth Influence and gravitas that came With turning around this backwater town And making your name And the name of the game: pig iron And as time went by Profits grew with population rise And it so became The Ironworks that led the way
4.
My man rolls in My man rolls in I wanna be there to warm his feet When my man rolls in Out at six Yes he’s out at six Up before the lark and he gets home after dark Then he’s out again at six Me I keep good time Put his clothes out on the line Keep a tidy house Put the food into his mouth and mine Since knee high Known him since knee high Born across the roof from each other, that’s the truth Known him since knee high And he’s black as pitch Yes he’s black as pitch Twelve hours digging coal, stuck inside a dusty hole Then he’s black as pitch Once he said to me We’re lucky just to be We don’t need for much Just each other that’s enough for me And he loves me so Says he loves me so Does it all for me, and why should I disagree Coz I love him so I would live a lie If I said I wouldn’t like Just a little piece Where the rainbow meets the sweet sunshine
5.
Instrumental track
6.
They came from far and yonder To blackened fields and skies Some left and some absconded Looking for a steady life A wage is what they came for The draw of work to do Arriving in their thousands Many hands and willing to Get on, choose your words and run Change has begun They came from Abergele Brymawr and Harlech too Native pronounciation That was all they ever knew A language old as mountains Befits the mother tongue But soon like oil on water Separation came as one Get on, choose your words and run Change has begun And so then came the railway And written English news And more in poured the workers Using words the Queen would choose From London to Glamorgan Word spread and with it spawned A whole new way of speaking Monoglot the dinosaur Get on, choose your words and run Change has begun
7.
Instrumental
8.
Ode to the farm, four buildings in the yard, in the brow of a hill Cattle in the shed, a barn where they hid from the cold winter chill When the miners came, work was plentiful to gain Money there to earn, and land to turn Tell it to me now, I won’t listen anyhow Calm you down, calm you down Labour to give, they need somewhere to live, so the farm becomes a row of homes Small but you could spit the short walk to the pit - dry and warm, a haven from the storm Families of ten, crammed like fish into a tin Mother stays at home, father brings in the dough Tell it to me now, I won’t listen anyhow Calm you down, calm you down So to the tale of the farmer and his ale - he was fond, rather fond of a drop Lived in number four, often found upon all fours, crawling home, beaten by the hop Then one night he burst through the door after a thirst Mrs farmer sighs and begins to ask him why Soon she starts to jeer but it’s falling on deaf ears So he leads a cow into the kitchen and pronounced Tell it to the cow, she might listen to you now Calm you down, calm you down
9.
Call a tribute to the ones who got away Up until now whose names have never seen the light of day From the ordinary death to the bizarre There’s a list as long as your arm Richard Phillips when he fell right off the furnace wall Billy Lewis fell into the pit after a brawl And Jones his hat blew off he chased it and he fell Pulled and drawn right through the mill And so to the rest, hats off to the rest They are gone forever more And so to the rest, hats off to the rest Those whose names are lost forever more Little Lewis Edmunds bless his heart was only ten Circular saws were never meant for boys as young as him Stephen Garret cut in two, a similar fate An oven door for Sarah James And so to the rest, hats off to the rest They are gone forever more And so to the rest, hats off to the rest Those whose names are lost forever more Joseph Davies caught the wrong side of the boiler tin Got him while asleep, the workhouse saw the end of him Quinn was drunk he passed out on the cinder tips Dawkins met a tram, the better of him And so to the rest, hats off to the rest They are gone forever more And so to the rest, hats off to the rest Those whose names are lost forever more
10.
When the dust settles, the line stands still The wheel stops turning, there’s peace on the hill And a cold winter bears heavy and long The last of the pits has gone The planes pitted with quarries and mines Blackened by tips of the colliery spoil Tram roads and railways weaved a long line And the forgotten landscape recoiled The hills breathe again The hills breathe again The hills breathe, the lungs blow free And the hills breathe again Clear as morning the day begins So starts the healing, the nightingale sings Back grows the heather, and dresses the land And the Blackcap is seen once again The hills breathe again The hills breathe again The hills breathe, the lungs blow free And the hills breathe again Warm summer evening, a blood orange glow Lights up the lake where the spoil tips flowed Flickers and ripples like plasticine sun And the Sand Martin heads for home The hills breathe again The hills breathe again The hills breathe, the lungs blow free And the hills breathe again
11.
The end is near, intent is clear The order comes to close them down The Lady speaks, the Unions weep Emotion’s high and over-ripe Many thrown and cast like broken glass Empty mouths to feed, but still she sees ‘the enemy within’ The whistle blows through every soul And every heart that played a part Were they owed as much as they gave in trust Was it all in vein, nor the lion tamed And they say farewell to the final bell But burrow deep, there’s still reward left to reap

about

“It is based solely around tales of the Welsh iron & coal mining industry - mainly factual but with a smidgen of poetic license here and there. I was born and spent the first 10 years of my life in the South Wales valleys, just a few miles from Blaenavon, the heart of that mining industry. My Grandfather spent 25 years under ground as a miner, and it has long held a dormant fascination in the back of my mind.
I bought a lovely old 1966 Gibson archtop guitar early last year, and its warm, smoky tones inspired me to write and record a bunch of songs and tunes with the mining theme in mind. The songs were written very quickly and I wanted the freedom to take my time and experiment with the arrangements, without being tied to snowballing external studio time. Consequently I recorded and produced everything in my small studio at home just outside Winchester. 

I was originally intent on keeping absolutely everything in-house, without guest musicians, using only my own instrumentation on all the tracks. However I soon figured that additional slide guitar could sit well on a couple of songs so I invited Lennie Harvey to contribute his Resonator and Weissenborn guitars, introducing a bluegrassy feel. I worked with Lennie on Naomi Bedford's 2011 album 'Tales from the weeping willow' (along with other guests including Paul Heaton, Justin Currie and Alasdair Roberts). Lennie's previously worked with various artists including Sally Van Meter and Gabe Witcher.

The sound, although very much in the folk/roots story telling tradition, is arguably slightly different to my previous recordings - largely due to tone of the Gibson, but also in the vibe and the layering of guitars & fiddles on some of the songs. It is interspersed with three instrumentals and follows a theme from start to finish. I've also designed and created the artwork - a simple imagery which is intended to reflect the journey of the landscape through the Industrial Revolution and back again.”

credits

released March 14, 2015

Darren Black - vocals/guitars/violin/percussion
Lennie Harvey - Resonator & Weissenborn guitars on tracks 4 & 8

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about

Darren Black Winchester, UK

Darren Black is a Hampshire UK based musician, songwriter and composer whose songs are rooted in sociological and political observation. His latest album 'Empty Halls Can Feel Like crowded Rooms' was released in January 2023.

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